Eleanor Catton Wants Plot to Matter Again
Toward the end of “Birnam Wood” (Farrar, Straus & Giroux), the latest novel from the New Zealand writer Eleanor Catton, Rosie Demarney, an otherwise minor character, gets a moment in the spotlight. She has been presented with a series of facts that seem to add up to a humiliating conclusion: the guy she likes has blown her off to pursue an old flame. Her fears are only confirmed by the embarrassed gaze of her crush’s sister. At home, clinging to her self-respect by a thread, Rosie firmly tells herself that she “was not going to play the role that he had cast her in; she was not going to spend the evening in her sweatpants, getting drunk and stalking him pathetically online.” A beat, a line break, and then the inevitable: “But hell. Nobody was watching.”
By now, if readers of “Birnam Wood” have learned one thing, it’s that someone is always watching. Whether people are being spied on by the modern technologies of surveillance (Google, G.P.S., cell phones, drones, social media) or by the more ancient techniques of intimacy (marriage, friendship, family, gossip), they are never afforded the luxury of a purely private action, or of avoiding the roles that others have written for them.
“Birnam Wood” opens with a seemingly impersonal catastrophe: a landslide in New Zealand kills five people. From this disaster a complex and often shocking sequence of events unfolds. The Darvishes, the owners of a large farm near the accident, withdraw it from sale; this withdrawal comes to the attention of Mira Bunting, “aged twenty-nine, a horticulturalist by training, and the founder of an activist collective known among its members as Birnam Wood.” Mira had previously inquired about the listing under a false identity, and she decides to visit: Birnam Wood illegally plants gardens on unused land, and the farm seems an ideal target for expansion. While trespassing on the grounds, she meets a curt American stranger who knows too much about her, including her name. He is Robert Lemoine, the billionaire co-founder of Autonomo, a drone manufacturer.
He is also, as we quickly learn, though Mira does not, responsible for the landslide. It doesn’t trouble him much. “Five dead, in the scheme of things, was basically no dead at all,” he thinks. Lemoine is in New Zealand pretending to build a covert apocalypse bunker; to this end, he is purchasing the Darvish farm under conditions of total secrecy, so secret that the estate must seem not to be for sale at all. But his actual aims are much darker: Korowai, the national park that sits beside the farm, possesses rare-earth minerals, which if extracted will make Lemoine “the richest person who had ever lived.” In Mira, Lemoine sees a kindred spirit, but also a dupe. He can use Birnam Wood as another smoke screen, a way to launder his presence through a local, eco-friendly organization. He offers Mira access to the farm and a hundred thousand dollars, suspecting, correctly, that she’ll find both the financial security and his shadowy mystique irresistible.
Much like the moment in pool when the cue ball breaks up the carefully assembled triangle, this encounter between Mira and Lemoine ends up affecting every other character in the book, even those who have no reason to know one another. The choices they make, to use and to be used, reverberate in ways you might expect only if the image of the five crushed landslide victims lingers as you read. All of the book’s major players get a chance to turn the tide of events in their favor. Shelley Noakes, Mira’s best friend and roommate, is stealthily seeking a way out of the collective, tired of playing the steady foil to her more volatile friend. The Darvishes—Sir Owen and his wife, Lady Darvish—view Lemoine’s incredible wealth with a mixture of disgust, awe, and desire, even as they conduct business with him. And, finally, there’s Tony Gallo, Rosie’s love interest, Mira’s ex-something, and a former member of Birnam Wood, who, in a paroxysm of barely sublimated sexual jealousy, has decided to write an exposé of Lemoine, and in so doing stumbles upon Lemoine’s mining operation.
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